Today I released my new novel, Fire Damage, on Amazon Kindle.
How do you get over knowing that you could have prevented your sister’s murder?
Cameron Oakwood is an intelligence analyst whose sister and nephew were killed in a car bomb explosion outside a politician’s office. Cameron knew terrorists had made death threats against the politician. His family blames him for not warning his sister to stay away from that building. The case was never solved. Three years after her death, his family has cut him off. Consumed by guilt, Cameron obsessively re-reads documents he has hoarded to do with the case. He is becoming addicted to alcohol and tranquilizers.
Cameron is assigned to work with FBI agent Jodie Finch on threat by a Japanese doomsday cult to release a genetically engineered virus at an international sporting event in Melbourne, Australia. She is attracted to his intelligence, his humor and his honesty, but she worries about his addictions and his obsessions about his sister’s death. She wonders if he is ready for a new relationship.
As they work together, the terrorists take hostages to a remote country house in the path of oncoming forest fires. Cameron and Jodie have only hours left to prevent the biological attack. As they race to rescue the hostages, they make a stunning discovery about the identity of the bomb maker who killed Cameron’s sister. But they make their discovery in the most frightening possible circumstances, when all their lives hang in the balance.
If you’d like to visit the site, and possibly buy a copy, you can see it here. If you want to down the kindle app to read kindle books on your computer, you can get it here.
Over at Writers in the Storm Blog Charlotte Carter has written a simply supurb piece on how to write a male that your female character would be willing to fall in love with.
I’m not going to reproduce the whole thing (there are 13 points) , but a couple of items jumped out at me:
(Now quoting Charlotte:)
1. The hero is great with kids; we’d all want him to be the father of our children
5. The hero has the ability to have fun, or enhances the heroine’s sense of fun.
9, The hero talks to the heroine, revealing more of himself than he ever has before. That makes him vulnerable. (end quote)
and you can read the other 10 points here.
This post has seriously made me think I need to go back and fill in a little more background on a novel I have in final edits at the moment.
I look forward to more of Charlotte Carter next time she’s on that excellent blog.
Later this month I’m off to the Southern California Writers Conference at San Diego to try to sell my first novel ( a spy thriller.) (Their website is
In the meantime I’m trying to write a second one about a woman on the first manned mission to mars who keeps getting messages on her computer from someone who is able to predict what will happen on the ship. The trouble is, the messages keep disappearing, leaving her with now proof that she ever got them. She doesn’t know whether to tell anyone about them, and the sender urges her not to. Unfortunately, she had two uncles with schizophrenia, and she begins to worry that these messages aren’t real. The novel will revolve around “what do you do on a ship in deep space if you begin to doubt your own sanity?” Who do you turn to for advice when the very people you depend on for cooperation – and who will depend on you – need to feel they can trust you to act rationally, given all the difficult things they’ll have to do when they do get to Mars. (There’s going to be a twist at the end when we learn who the sender of the messages is.) But it’s turning out to be a lot harder than I expected. Writing the spy novel was a hard, slow process, despite several professional manuscript appraisals. It took 5 years before I put it away ad recently pulled it out again. This one is beginning to feel much harder.
Any readers who have suggestions: if you intentionally wanted to drive someone insane on a space ship, how would you it?